Born and raised in Manchester, England, I’ve been passionate about creativity and performance from an early age. My journey began with formal training in Art, Textiles, and Design, and grew through a scholarship to the Northern Ballet School, where I earned a National Diploma in Professional Dance. It’s a UK qualification that’s equivalent to a U.S. bachelor’s degree. That foundation taught me discipline, attention to detail, and the power of storytelling through movement and visual expression.

Over the past decade, I’ve built a career where entertainment, marketing, and leadership overlap. I’ve managed production shows on cruise ships, led high-profile creative projects like Carnival Cruise Line’s safety video featuring Shaquille O’Neal, and designed makeup that was featured in an Oprah Daily editorial. More recently, I’ve stepped into strategic roles, consulting on website redesigns, testing AI tools, and guiding rebranding efforts for clients in finance and advertising.

A big part of how I work is shaped by how I think about perception. I’m especially drawn to the halo effect, where people’s overall impression of something influences how they see all the details. This idea goes beyond personal style. It shows up in branding, visual design, and the way creative work is presented. I use that mindset to make sure everything I touch tells a clear story and leaves a strong, lasting impression.

I’m a fast learner, highly organized, and detail-focused. I enjoy turning ideas into practical outcomes, especially when the goal is to make something meaningful and memorable. Whether it’s a live production, a digital experience, or a branded campaign, I care about the why behind the work just as much as the how.

I’m currently based in the U.S. and work across New York, Florida, and California. As a Green Card holder, I’m fully authorized to contribute nationwide.

If you’re building something with heart, intention, and purpose, and you’re looking for a creative partner who brings strategy, storytelling, and execution to the table, I’d love to connect.